[5] The album was produced by Steel Pulse, Paul Horton, Peter Lord, V. Jeffrey Smith, Stephen Bray, and Michael Verdick.

[9] The Boston Globe noted that the album "contains searing raps against gang warfare, cultural imperialism and freebasing cocaine.

"[11] The Los Angeles Times called it "a quirkily inventive outing that manages to coalesce Caribbean, pop, hip-hop, rock, and funk elements while maintaining the integrity of its patented vocal harmonies.

"[12] The St. Petersburg Times determined that "Steel Pulse has found a working formula for melding reggae roots with Club-MTV affectations.

"[13] The Ottawa Citizen opined that "pop and soul inflections dominate, often with reggae stuck in the back pocket.