Vincenzo Damini (before 1700 – c.1749) was an Italian artist, a pupil of Giovanni Antonio Pellegrini, who spent some time in England.
[2] In the north transept of Lincoln Cathedral, he executed a wall painting of four bishops beneath Gothic canopies, replacing an older version of the same subject; his assistant while working on it was the English artist Giles Hussey.
[5] Five decorative paintings inset into the plaster ceiling of a room designed by James Gibbs for a house in Henrietta Street, London, are attributed to Damini.
[7] By 1737 he was in L'Aquila, in Abruzzo, where, in that year, he painted an altarpiece at the church of the monastery of San Giuliano.
[8] There are three works by him in the collection of the Museo Nazionale d'Abruzzo: Il battesimo di Gesù (1740), San Tommaso d'Aquino incatena l'eresia (1739) and Carlo d'Angiò ai piedi della Vergine e San Tommaso d'Aquino (1741).