[2] It is a variation of the Portuguese viola that developed in the state of São Paulo during the colonial period,[3] serving as a basis for Paulista music, especially for subgenres of Caipira folklore, such as moda de viola, caipira pagode, catira, etc.

Violas are direct descendants of the Latin guitar, which, in turn, has an Arabic-Persian origin derived from instruments such as the lute.

The Portuguese violas arrived in Brazil and along with other instruments began to be used by the Jesuits in the catechism of the indigenous people,[4] and naturally, for Portuguese-Brazilian settlers and ranchers entertainment and company.

It was once used to play urban music, like choro, samba and Maxixe, but has been replaced by the acoustic guitar.

Well-known players of Brazilian viola include Zé Côco do Riachão (composer from Minas Gerais), Toninho Ramos (composer from Minas Gerais live in France) and Almir Sater (successful singer-songwriter from Mato Grosso do Sul).