[3] In the 40 years of Coventry's career, her work contains consistent themes, and her exploration on factors of art, such as space and colouring, with the use of different artistic mediums such as paintings, collages, drawings and photography.
In order to create a sense of physical reality and to emphasise character by the use of composition for her photography projects, the size of the installation is proportionally huge.
[3] Here and There: Concerning the Nuclear Power Industry is a wall panel display which included photocopies of newspaper clippings, photographs printed on gelatin silver materials and notes written in both pencil and fibre tipped pen.
The environmental message that Coventry wanted to avoid, would be the typical "hippy-ish" good vs bad, by having contrast of both beautiful nature and devastating technology.
[citation needed] In order to avoid this, Coventry uses photos that have been published previously, through pre-existing photographs, it creates a sense that it is the reality that they are currently living in, which makes the message all the more significant as they have already experienced and relate with it.
[5] Whyalla - Not a Document is a seven-part installation, that are supported on cardboard panels, perspex frame and the photographs are printed on silver gelatin process.
[10] Coventry's project on "Here and There: Concerning the Nuclear Power Industry" is featured in the book, along with a fully detailed view of the display.