Vlastimir Peričić spent the school year 1955—1956 training at the Academy of Music and Drama Art (Akademie für Musik und darstellende Kunst) in Vienna (class for composition of professor Alfred Uhl).

He was a mentor to 51 candidates from the theoretical courses and 27 from the history of Yugoslav music for their final exam, as well as to 6 postgraduates.

For 80 anniversary of composer's birth, 7 December 2007, in Music and Information Centre SOKOJ in Belgrade, the first part of the Legacy[5][6] Vlastimir Peričić was opened.

Academy of Music, University of East Sarajevo, opened the second part of the Legacy Vlastimir Peričić.

Here are just some of them: His idiom in music writing is based on neo-romanticism, with some tendencies towards freer and bolder vertical structures.

In his works, which are characterized by clarity and fine technical touch, there prevails some inclination towards sonata-cyclic forms.

Dve narodne for mixed choir (Megla se kadi, 1946, 2'; Tri godini, 1946, rev.

Tri minijature za klavir (Canzonetta, Valse, Chant sans paroles, 1947, 6') 3.

Šumske idile, a song cycle for voice and piano (Cvračak, Mrtvi lugar, Orao), 1950, 9' 15.

Mala svita za tri violine (Fughetta, Scherzando, Lamento, Moto perpetuo), 1955, 10' (lost) 22.

Sonatina breve for clarinet and piano (Dedication to my professor Stanojlo Rajičić) in D-minor, 1996, 5' 30.