[2] Stephen Thomas Erlewine of AllMusic called the album "as reminiscent of their debut as anything they've done since" as well as "melodic, stately, and somber [...] with a dogged sense of decorum that keeps not just the group's musical excesses in check, but also O'Riordan's political polemics", although found there to be nothing that "really result[s] in a record that will restore the Cranberries to the status they enjoyed in the early '90s".

[3] John Aizlewood of Blender described Wake Up and Smell the Coffee as "the set of inspired anthems they needed to deliver in '96—all tremulous vocals from Dolores O'Riordan [...] and encouraging lyrics [...] It may be too late, but it's not too little.

[2] Sal Cinequemani of Slant Magazine wrote that the album "sticks to what the Cranberries do best: constructing the radio-friendliest of pop alternatives", but concluded that "Dolores and company fall a bit short of the emotive and atmospheric heights" of their "creative (and commercial) zenith", No Need to Argue (1994).

commented that "the band sounds strong but derivative of its own best work", going on to say that "O'Riordan's voice aims for spiritual passion but sometimes, as in the title track, becomes a chafing bray" and that it "may please old fans".

Willman found positives to be the return of "original producer Stephen Street", who makes "a few tracks into palatable ear candy, and O'Riordan ha[ving] traded stridency for softer tones".