[13] Mark Bautz of Entertainment Weekly commented that "Kelis' brash blend of Curtis Mayfield soul, techno-Zeppelin funk, Jobim-lite bossa nova, and ultrasmooth R&B shows a more coherent artistry than many recent boundary-busting experiments.

"[1] Rupert Howe of Blender found that "[t]he best thing about Wanderland is that [Kelis] seems finally to have begun celebrating her eccentricities", adding, "Aside from the idiosyncratic lyrics [...] she switchbacks from parodying '70s mack-stylin' (the Funkadelic 'Daddy') to an '80s soul croon ('Scared Money').

"[11] At entertainment.ie, Andrew Lynch commended Kelis' "aggressive vocal delivery and intriguing, if sometimes confusing lyrical imagery", while calling the album itself "[b]rilliantly produced" and "strikingly original".

[12] Rolling Stone's Barry Walters noted that, musically, Wanderland "doesn't venture far from its predecessor, Kaleidoscope: The Neptunes are still matching jaunty beats to techno sonics.

"[14] Sal Cinquemani of Slant Magazine opined that the album is "far from rote, but the Neptunes's rehashed retro beats and synths are beginning to sound derivative of Britney Spears's 'I'm a Slave 4 U.'