Nevertheless, German producer Timo Maas' remix of the song managed to chart on Billboard's Hot Dance Club Play at number 15 in January 2002.

Rupert Howe from Blender referred to the song as "a delirious four and a half minutes of rasping, intergalactic funk which sounds as if it was recorded in the engine room of the U.S.S.

"[1] Sal Cinquemani of Slant Magazine described it as "a track ripe with the production duo's signature electronic synth spirals and industrial-strength basslines.

"[4] Andy Kellman of AllMusic wrote that the song is "particularly stunning, a buzzing grind with a chaotic loop that could've been lifted from a pinball machine.

"[5] NME reviewer Victoria Segal called the song "startling" and stated that "[t]here's sudden splashes of synthetic soul sighing, perfectly timed shouts of 'hey!