Wang Zhaojun

In the most prevalent version of the "Four Beauties" legend, it is said that Wang Zhaojun left her hometown on horseback on a bright autumn morning and began a journey northward.

As she sat on the saddle, she began to play sorrowful melodies on a pipa (a round-bodied lute that was later called ruanxian).

A flock of geese flying southward heard the music, and saw the beautiful young woman riding the horse; they immediately forgot to flap their wings, and fell to the ground.

As a result, during her time in the Lateral Courts, Wang Zhaojun was never visited by the Emperor and remained as a palace lady-in-waiting.

Typically the daughter of a concubine would then be offered, but unwilling to honour Huhanye with a real princess, Emperor Yuan ordered that the plainest girl in the harem be selected.

The idea of leaving their homeland and comfortable life at court for the grasslands of the far and unknown north was abhorrent to most of the young women, but Wang Zhaojun accepted.

Statistics[citation needed] show that there are about 700 poems and songs and 40 kinds of stories and folktales about Wang Zhaojun from more than 500 famous writers, both ancient (Shi Chong, Li Bai, Du Fu, Bai Juyi, Li Shangyin, Zhang Zhongsu, Cai Yong, Wang Anshi, Yelü Chucai) and modern (Guo Moruo, Cao Yu, Tian Han, Jian Bozan, Fei Xiaotong, Lao She, Chen Zhisui).

1772 image of Wang Zhaojun
Zhaojun Tomb
A Peking opera actress portrays Wang Zhaojun during a performance by Shanghai Jingju Theatre Company on December 20, 2014, in Tianchan Theatre , Shanghai , China.