Originally a duo formed by classically trained musician Warren Fischer and video-artist and experimental theater performer Casey Spooner for an impromptu rendition of their makeshift track "Indian Cab Driver" at the Astor Place Starbucks, the group grew to over 20 performers, most of whom are dancers and guest vocalists.

In the final months of 2004, Fischerspooner opened up their FS Studios in New York City to the public for a few hours once a week, allowing people to meet the band and production team, as well as preview new video, music and dance projects that they were working on.

"Odyssey was really about being on Capitol, which was this icon of classic American music, trying to embrace that cliché and find a way to embody it and infiltrate it and take it apart at the same time",[2] says Spooner.

The track includes a remix package from the likes of Autokratz, Tocadisco, Alex Gopher, The Passions and Tony Senghore.

Released in North America via the band's own label FS Studios on May 4, 2009, Entertainment is their third full-length album and was produced by Jeff Saltzman (The Killers, The Black Keys, The Sounds).

"[5] NPR interpreted the album as a retrospective collage of Reagan-era queer references framed in an undeniably contemporary style; "Even the cheapskate metaphor passions in the lyrics, read as physical, often NSFW desires — 'raging motorcycle thoroughbred,' 'not opposed to humiliation,' 'denim on denim,' 'dorsal fins at night in Berlin,' 'Butterscotch Goddam,' 'dark pink Saturday night' — that are dated just enough to seem older and odder.

Pairing these with layered synthesizer lines and drum-machines that invoke Reagan-era industrial and EBM reinforces nostalgic notions of sexual danger.