Jarrett's voice caught the attention of his high-school teacher, who persuaded him to join the school choir.
[1] However, the reggae scene in Connecticut at the time was in its infancy and most people preferred to listen to blues in social situations.
[citation needed] Jarrett performed at a West Indian social club and tried to become one of the first reggae artists to make it from Connecticut.
Jarrett then returned to Jamaica to record his second track, "Satta Dread" (the dub mix of which was later released on a King Tubby compilation).
After recording the track, Jarrett went to Idler's Corner[clarification needed], in Chancery Lane, to try to find a producer and officially get signed to a label.