Similarly to the extremely over the top way the Coen Brothers' film Fargo, and its spin-off TV series mocks stereotypes about the culture of Minnesota, Welcome to Woop Woop's characters are wildly exaggerated and parodied stereotypes of Anglo-Australian Bogans from Outback desert communities.

Teddy (Johnathon Schaech) is a New York City con artist, womaniser, and exotic animal smuggler who travels to Australia after a deal goes awry, his latest shipment of rare tropical birds escapes, and must be replaced.

The only entertainment permitted by Daddy-O are old Rodgers & Hammerstein films, whose soundtracks play constantly over a loudspeaker.

Meanwhile, Daddy-O and the other elders have working televisions and secretly watch football games and drink expensive beer.

Comparing Daddy-O in an angry soliloquy to the Fundamentalist Mormon cult leaders with private arsenals of assault weapons that he has heard about in the past, Teddy, who had thought he was having a meaningless hookup "with the best f--- in the Southern Hemisphere", is enraged that she instead, "set me up."

Seeking to accept his situation, he befriends an Australian Cattle Dog, which is shot and killed by a child who is celebrating 'Dog Day.'

He befriends a couple of locals, including the scruffy, affable Duffy and Krystal, Midget's widow and Angie's sister, who help Teddy arrange an escape plan.

Noticing Teddy's romantic interest in Krystal, Angie runs away sobbing and later announces that she is pregnant with twins.

More than a decade later, Teddy and Krystal are living in a New York City apartment when, in a post-credits scene, they unexpectedly are visited by a now teenaged Sonny and Cher.

[4] Australian film critic Michael Adams later included Welcome to Woop Woop on his list of the worst ever Australian films, along with Phantom Gold, The Glenrowan Affair, Houseboat Horror, The Pirate Movie, Les Patterson Saves the World and Pandemonium.