Wendingen

Wendingen (Dutch: Inversion or Upheaval, literally turns) was an architecture and art magazine that appeared from 1918 to 1932.

Wendingen initially was an important platform for Dutch expressionism, also known as the Amsterdam School, and later endorsed the New Objectivity.

In spite of the link of Wendingen with an architect's association, the contents of the booklet were not limited to architecture but attention was also given to art and design.

The magazine gained recognition not only through its content but also by its remarkable square format and the striking typography of architect Hendrik Wijdeveld, El Lissitzky, Vilmos Huszar and others.

Le Coultre, Wendingen: a journal for the arts, 1918-1932, New York: Princeton Architectural Press, 2001.

First issue 1918–1, architecture and art (cover J.L.M.Lauweriks). Wendingen main theme ( expressionist architecture ) against De Stijl in 1917 (cubist architecture).
Wendingen 1918–2, architecture and art (cover M.de Klerk ). M.de Klerk: 6 issues and 3 covers
Wendingen 1928–1, 2nd of 4 W.M.Dudok issues (cover H.Wouda )
Wendingen 1930–2, Van Nelle Factory (cover L.v.d.Vlugt )
Wendingen 1921–12, J.Duiker & B.Bijvoet (cover J.Duiker )
Wendingen 1920-11/12, H.P.Berlage (cover J.Jongert)
Wendingen 1931–1, cover by Samuel Jessurun de Mesquita