She is currently a Professor of Dramatic Literature, Area Chair of Dramaturgy, and Director of the Center for the Arts in Society at Carnegie Mellon University.
[1] She has written and edited many pieces for journals and is the author of the book "Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act" (2006) and co-editor, with Theresa J.
While at Notre Dame, Arons published her book "Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act".
After eight years of teaching at Notre Dame, she joined the faculty of the Carnegie Mellon University School of Drama in 2007[4] as an Associate Professor of Dramatic Literature.
[5] Today, Arons authors The Pittsburgh Tatler (https://wendyarons.wordpress.com/), a theater criticism blog, as well as working as a Professor of Dramatic Literature & Area Chair for the Dramaturgy program in the Carnegie Mellon University School of Drama, and Director of the CMU Center for the Arts in Society.