The concept of the Wessobrunner School goes back to the art historians Gustav von Bezold and Georg Hacker, who in 1888 first used the name to designate this group of artists and craftsmen.
A passage in the Historico-Topographica Descriptio of Michael Wenig (1701) suggests that the residents of the villages Gaispoint and Haid, which belonged to Wessobrunn Abbey, worked predominantly as stucco-workers and bricklayers, which would imply a tradition of long standing.
In the 17th century Wessobrunn developed into the most important center for stucco-work in Europe, and its craftsmen received commissions, not only in south Germany, but also in France, Poland, Hungary, and Russia.
The masterpiece of the Wessobrunner School is the Wies Church (from 1744), built and stuccoed by Dominikus Zimmermann and frescoed by his brother, Johann Baptist.
As Bavarian artists began to stray from sculptural stucco and the taste of the time demanded more sobriety and functionality, the Wessobrunner School gradually lost its reason for being.