[1] Uncut wrote that the album "takes [Torres's] eclecticism to fresh heights, each of these songs exploring different emotional moods while influences range from The Breeders to Goldfrapp".

[6] Eric Mason of Slant Magazine observed that the album "favor[s] the kind of introspective dirges that characterized her early work.

[5] Mojo felt that "there's no doubt Mackenzie Scott never stops moving here, switching between gothic sway, grungy stomp and electro-pop gyration, but it can make it hard to catch her eye in a meaningful way".

[3] The Guardian's Katie Hawthorne stated that Torres "embraces grand new sonic theatrics" but that the album "doesn't yet fulfil [her] stadium-sized promises".

[2] Reviewing the album for Pitchfork, Claire Shaffer commented that "Scott has excelled at adding a jagged, oddball edge to familiar rock structures.