On the album, Miller is joined by saxophonist Mike Osborne, trumpeter Mongezi Feza, trombonist Nick Evans, pianist Keith Tippett, and drummer Louis Moholo.

"[9] The BBC's Peter Marsh stated: "Mongezi Feza's trumpet is agile, focussed and without frills; Mike Osborne's urgent, astringent alto and Nick Evan's sumptuously fat trombone complete the front line.

Keith Tippett's piano veers from delicate arpeggios to punchy dissonance, while Miller and drummer Louis Moholo lay down fat, ragged, propulsive grooves that lie somewhere between Mingus and SA township jive...

noted that the "charts are still laced with South African melodic statements but are essentially a showcase for long solo passages," and called Feza "the best soloist in the band," commenting: "Conjuring a wide array of pretty and slurred tones, it's as though he's chewed Don Cherry up and spit him back out again - simply a wonder to listen to.

"[11] Writing for Paris Transatlantic, Clifford Allen called the album "one of the finest examples of the South African-European contingent working their cross-continental whiles," and remarked: "let's hope the archives haven’t been cleaned out just yet.