White Snake had been a very inward looking, reflective and low-key affair in many ways, written and recorded as it was in the aftermath of the collapse of Deep Purple".

[4] Richie Unterberger gave 3/5 stars to the 1988 double compilation, concluding "they're mediocre listening, the product of a man uncertain about where to take his music as a solo act, without the rock-hard hard rock support of one of his steady bands".

[7] Victor Valdivia writing for PopMatters a 6/10 review about both 70s albums states it is from a pre-late 80s period image when Coverdale "was considered a talented singer with a bluesy voice far more reminiscent of Bad Company's Paul Rodgers than Zep's Robert Plant" and the album sounds "absolutely nothing like Led Zeppelin.

Not only is Coverdale's voice much lower and bluesier than it would be in later years, but the music meanders all over the place, from horn-driven funk and R&B, to jazzy piano noodling and a more compact style of hard rock than he would ever try in his career's later incarnations", highlighting tracks "Whitesnake" and "Celebration", but also "badly dated" production.

[8] Neil Jeffries in 2021 Classic Rock retrospective included the album as 7th out of 20 on a list of Coverdale-Whitesnake's best albums,[9] saying "with a lazy, bar-room style, a bit of brass and ace backing singers, this is David Coverdale as few have heard him ... had "Hole In The Sky" (a ballad built on Tim Hinkley's piano) provided Coverdale with a hit, he might well have sailed off into Frankie Miller/Joe Cocker territory without a second thought about asking anyone to lie down or let him slide it in".