[2] Sub Pop Records describes the album as such: From outerspace to down at the farm, campfire singalong to dystopic atonal deconstruction, Wild Mountain Nation presents a raucous and varied constellation of favorite souvenirs from the Trapper musical adventures.

Brought forth in a spasm of creative mania, Nation is rough-hewn but lush, crackling (sometimes audibly) with a weird and lucid energy.

The album was recorded and arranged by the band themselves, using a dizzying variety of techniques and media, including a secret process learned from friendly extraterrestrials.

As always, though, the group’s trusty four-track was used to capture the “soul”, “essence”, or “kernel” of each song, which was then buried in a rich humus of articulation, embellishment, and attenuation, so that after the summer a nutritious, colorful variety of fresh music was drooping from the vine (so to speak).

A rich harvest: dusty bones, sunrise, Philip K Dick, Guernica, barley wine, sycamore or doug fir, snowflake, Sally Mack’s School of Dance, Scooby-Doo, bigfoot.