William Harnett

William Michael Harnett (August 10, 1848 – October 29, 1892) was an American painter known for his trompe-l'œil still lifes of ordinary objects.

[4] What sets Harnett's work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

[6] He painted a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and paper currency.

Although his works sold well to a clientele of merchants and industrialists, and were on display in many business offices, department stores, and taverns, they did not conform to contemporary notions of high art.

Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left.

These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l'œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

[15] Other artists who painted similar compositions in Harnett's wake include his contemporary John Haberle and successors such as Otis Kaye, Jefferson David Chalfant, and Richard La Barre Goodwin.

The Artist's Letter Rack , Metropolitan Museum of Art, 1879
Job Lot Cheap , oil on canvas, 1878. Reynolda House Museum of American Art
William Michael Harnett – The Last Summer Rose
William Michael Harnett - Still Life with the Toledo Blade
William Harnett commemorative stamp, issue of 1969