In 1791 the rich benefice of Menheniot in Cornwall, in the gift of the Dean of Exeter College and only available to Fellows, fell vacant and he hastily took holy orders.
Charlotte inherited her maternal grandfather's property in Etal[2] and the couple took the name Carr by royal consent.
He seems to have been a difficult and rather unpopular figure, not beyond some rather sharp practice in his dealings, and "possessing the dreadful gift of total recall for past prices of works of art".
Most of the works were Italian or French, including Saint George and the Dragon by Tintoretto, the Holy Family with a Shepherd by Titian, the Dead Christ Mourned by Two Angels by Guercino, and paintings by Guido Reni, Annibale Carracci, Canaletto, Rubens and many others; the bequest also included Carr's own portrait by Jackson.
[7] It was arguably the Holwell Carr Bequest that finally made it clear that the Government would have to build a more adequate home for the National Gallery.