William Mudford

William Mudford (8 January 1782 – 10 March 1848)[2] was a British writer, essayist, translator of literary works and journalist.

His 1829 novel The Five Nights of St. Albans: A Romance of the Sixteenth Century received a good review from John Gibson Lockhart, an achievement which was considered a rare distinction.

[6][7] Edgar Allan Poe is considered to have been influenced by "The Iron Shroud" when he wrote "The Pit and the Pendulum" having got his idea for the shrinking chamber from Mudford's story.

After he came to a disagreement with the owners of the Courier over policy matters, Mudform resigned from the journal and issued a letter justifying his actions.

In the aftermath of his departure the Courier lost readership and eventually closed while attempts at inviting Mudford back at the journal proved unsuccessful.

[14] In the Dictionary of Literary Biography Mudford's writing is described as vigorous while as a writer he is called a master at creating atmosphere.

In the same source, his stories are analysed as lacking the subtlety and psychological depth found in the writings of Edgar Allan Poe but they are described as amusing and entertaining.

When only seventeen, Mudford approached the producer of the Covent Garden Theatre John Philip Kemble, with the suggestion of issuing a pamphlet in his honour.

He worked very hard and accepted an offer from the conservative party in East Kent to become the editor of the Kentish Observer.

In 1841 Mudford moved back to London where he succeeded Theodore Hook as editor of the John Bull magazine all the while maintaining his connection with the Kentish Observer.

[4] Mudford was also a founder member of the Society for the Prevention of Cruelty to Animals and was among those who voted to create the organisation on 16 June 1824 at Old Slaughter's Coffee House, London.

William Mudford as depicted by Sir George Hayter in his painting The Trial of Queen Caroline . [ 1 ]
Mudford was a frequent contributor to Blackwood's Edinburgh Magazine