Their first deal was for RCA, and they immediately realized the need for a professional session to record a demo tape, which included "Super Lógico", "Mariposa Pontiac", "Pura Suerte" and other songs.
In August 1985, the group released their first studio LP Gulp, that included tracks such as "La Bestia Pop", "Superlógico", and "El Infierno Está Encantador esta Noche" that got various spins in the radio.
They had kicked off a tour in March, but the album was presented officially at Cemento, after the cancelled gigs at the Teatro Astros, by the Valeria Lynch shows.
In September of the next year, the tour finished while the band was working on their second LP, Oktubre, with Daniel Melero and Claudio Cornelio as guests, and the last with Tito D'Aviero, Willy Crook and Piojo Ávalos.
Both of those LPs were the first nods to a more commercial sound, with simpler songs that brought back some classic rock influences, but the band's strength, which lies in the semantic power of its lyrics, that discuss, but isn’t limited to, politics, drugs and women with a philosophical and existentialist approach, stayed constant.
The obscurity and complexity of Solari's writing often was compared with Baroque writers, particularly Francisco de Quevedo, but with a corrosive approach to the present day, being Neoliberalism in Argentina, the Gulf War, political corruption, the media, drug culture and the dark aspects of love.
The first negative media event that hurt Patricio Rey y sus Redonditos de Ricota was during their 1991 show at the Estadio Obras Sanitarias, where a young man called Walter Bulacio was stopped and arrested for incidents, which ended with his death from severe injuries caused by the police.
The first album includes the hit single "Un Ángel Para tu Soledad", which became the band's new signature song and a perennial radio favorite.
In late December 1998, they performed at the Estadio Racing Club with Hernán Aramberri as keyboardist and "Conejo" Jolivet as special guest, to present Último Bondi a Finisterre, their ninth studio album.
The two shows with more than 45,000 fans, were guarded by the police and a crew of firefighters at the stadium, where an audience member threw a flare to the stage causing minor damages and the anger of Solari.
By November of that same year, it was announced via website that Patricio Rey had disbanded, mainly due to internal tensions within Indio Solari and the rest of the band.
Indio Solari in the late 2004 formed a new band: Los Fundamentalistas del Aire Acondicionado, with Marcelo Torres on bass guitar, Pablo Sbaraglia on keyboards, Julio Saez (then replaced by Gaspar Benegas) and Baltazar Comotto on guitars, and Hernán Aramberri and Martín Carrizo on drums, with Sergio Colombo and Miguel Ángel Tallarita as horn section.