It was produced by West and co-produced by Ty Dolla Sign, while additional production was handled by Mike Dean and Noah Goldstein.
Ultimately released as the fourth track on Ye in June 2018, "Wouldn't Leave" received generally mixed reviews from music critics.
"Wouldn't Leave" was produced by West, with co-production from American musician Ty Dolla Sign and additional production from Mike Dean, and Noah Goldstein.
[4][21] At the 2018 CFDA Fashion Awards on June 4 of that year, Kardashian revealed that the song was the only one from the album that West didn't play for her properly until "the last minute.
"[22] She confirmed that there was truth to West's claims of them having fought over his slavery statement, but admitted there are some things the couple do not "put on social media," though Kardashian said she's a fan of "Wouldn't Leave".
Spin's Jordan Sargent wrote that the song "feels like the moment when rays begins to peek through the storm clouds" on the album musically, though criticized it for being "a celebration of men abusing the love and compassion extended to them by their wives.
panned West's performance, calling his lyricism nauseating, though praised the song's "stubby, stick-in-your-eardrum beats and glistening vintage synths.
"[12] The New York Times's Jon Pareles complained that West mentioning his slavery comments within the song is not done "as a historical argument, but as proof of his audacity," despite complementing the production.
[13] The staff of XXL highlighted the production for being "reminiscent of early Kanye" but panned the lyrical content due to the "lack of an explanation" of West's slavery comments from him.
[18] Writing for Entertainment Weekly, Alex Suskind praised West's songwriting, while describing the subject matter of the song as dour.
"[27] Jonah Bromwich from Pitchfork wrote in response to the song: "The music is an army of prayer hands, floating on a wave—please and thank you and praise you all at once—all for Kim.
"[16] Kitty Empire of The Observer gave the song a negative review, branding it in connection to "Yikes" as being "another track with a superficially twinkly mien" on Ye.
[28] In The Independent, Christopher Hooton stated that the song "chronicles the strain Kanye's recent behaviour put on his marriage" and viewed it as paying tribute to "every damn female that stuck with they dude [when he's been an inconsiderate, unthinking asshole].