Her first stage sets were collages built from material collected from condemned houses, junk yards and garbage dumps.
She used this raw material to assemble a theatrical space that sprung to life in the clash between naturalistic clarity and abstract interpretation.
Hausner's large-formatted works are societal descriptions, the situations purposely fragmentary, snapshots from daily life.
Her style is expressive and her palette brims over with strong colours, a fact that is apparent in the flesh tones of her protagonists.
These unique limited editions deal with subjects known from her paintings, but the images are reinvented through technique and the medium and evolve into an independent artistic form.
Hausner interlaces the history and potential inherent in both these image media in a multi-faceted manner, implicitly bringing into her painting not only the principles of photography but consolidating elements of film as well.
The choice of a cut, the sense of the fragmentary, the actual montage and the drastic staging of light according to color ultimately contributes to the intense individual atmospheric character of the image.