[3] In addition, he collaborates and contributes double bass recordings for other composers, including Hildur Guðnadóttir,[4][5] Ben Frost and Geoff Barrow.

His practice employs a range of improvisation, extended double bass techniques, and a special interest in textural, spatial and spectral compositions and combining analog and digital processing.

[14] Glotman’s work for film has included co-composing False Positive[15] with Lucy Railton, an A24 production written by Ilana Glazer and John Lee.

In 2018, he began collaborating with the influential, late composer Jóhann Jóhannsson on his directorial debut Last and First Men,[16] developing the film score and recording for him.

Compound (2017)[28][26] expands these experiments to a trio, adding pianist Rieko Okuda and percussionist Marcello Silvio Busato into the musical conversation.