The Yangjiang Group's works are noted for their apolitical content, non-representational method of expression, and unabashed refutation and criticism of political analysis of Chinese contemporary art.
The group frequently combines various mediums that engages many different senses, and with special attention to the relationship among the work of art, the audience, and the gallery space.
[2] The Yangjiang Group draws from classical Chinese practice of experiencing works of art where audience participation is essential, as noted by Lisa Catt.
Reflecting on the exhibition's content, curator of the centre Melissa Chiu said, "Guangzhou has neither the political centrality of Beijing nor the economic history of Shanghai.
[5] Works which debuted in this exhibition included: Chinese property buyers poured a large amount of money into Sydney... new changes lead to such conflicts being expressed in this [Australian] society (中国的房地产商带来了大量的资金，涌进了悉尼……新的变化让这种冲突在这个社会里边呈现出来。)