Yankee Doodle Dandy is a 1942 American biographical musical drama film about George M. Cohan, known as "The Man Who Owned Broadway".
In the early days of World War II, George M. Cohan comes out of retirement to star as President Roosevelt in the Rodgers and Hart musical I'd Rather Be Right.
As his star ascends, he persuades his now-struggling parents to join his act, eventually vesting some of his valuable theatrical properties in their name.
In one scene, after Cohan suffers a flop with an atypical non-musical drama, Popularity, he writes a telegram apologizing to the public.
The original date was chosen because of the film's patriotic theme and because in the movie, Cohan is said to have been born on the Fourth of July (as he wrote in the lyrics of "Yankee Doodle Dandy").
In 1940, Cagney and 15 other Hollywood figures were named in the grand jury testimony of John R. Leech, self-described "chief functionary" of the Los Angeles Communist Party who had been subpoenaed by the House Committee on Un-American Activities.
William Cagney, one of the film's producers, reportedly told his brother "We're going to have to make the goddamndest patriotic picture that's ever been made.
[9] The film nearly doubled the earnings of Captains of the Clouds (1942), Cagney's previous effort, bringing in more than $6 million in rentals to Warner Brothers.
Bosley Crowther of The New York Times said film patrons would do well to see it, for "you will find as warm and delightful a musical picture as has hit the screen in years, a corking good entertainment and as affectionate, if not as accurate, a film biography as has ever—yes, ever—been made ... there is so much in this picture and so many persons that deserve their meed of praise that every one connected with it can stick a feather in his hat and take our word—it's dandy!
"[13] Variety called the film "as entertaining as any top filmusical ever made ... James Cagney does a Cohan of which the original George M. might well be proud.
Much of its entertainment value is due to the exceptionally fine performance of James Cagney, whose impersonation of Mr. Cohan is uncanny—his gestures, his talk, and his dancing, are done to perfection.
"[15] John Mosher of The New Yorker called the film "a complete delight, an extravaganza of tunes the country has liked for decades," although he considered it "dubious" as a biography of Cohan.
The site's critics consensus reads: "James Cagney deploys his musical gifts to galvanizing effect in Yankee Doodle Dandy, a celebration of patriotic fervor as much as it is a biopic of George M.
It was nominated for Best Actor in a Supporting Role (Walter Huston), Best Director, Best Film Editing for George Amy, Best Picture and Best Writing, Original Story.
[19] In 1993, Yankee Doodle Dandy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".