The following year, she won an honorable mention in the Francisco Lazo Martí award with Casa o lobo, her first collection of poems, which would be published in 1981 by Monte Ávila Editores.

In 1981, she left Calicanto and co-founded Grupo Tráfico [es], which broke with and questioned the nocturnal poetic approaches that prevailed in Venezuela at that time.

Tráfico published a literary manifesto that criticized the poetic canons they considered outdated, which had a wide repercussion and promoted aesthetic renovation.

[4][5] In 1986, the Consejo Nacional de la Cultura [es] awarded Pantin a creative scholarship to promote her literary projects.

The image of the pelvis – its "most notable feature" – stays in the narrator's mind, and the poem goes on to address the statue directly.