[2] It returned in 2011 in a former postal depot in Holborn, and a new version of the show – at Empire House in Stratford, East London in 2012 – was nominated for an Olivier Award for Outstanding Achievement in an Affiliate Theatre.
[4] Hanna Hanra, writing for Vice, described it as a series of "highly detailed, absurd real life scenarios following one another on a nonsense high-paced narrative".
This is the only thing I’d get out of bed for, seriously it’s the best therapy.” The entertainment magazine Dazed & Confused reported; "What was one of London's more obtuse treasures is set to become one of Great Britain's proudest moments."
[7][8] In November 2015, the trade union Equity criticised the £150,000 Arts Council England funding allocated to YMBBT, as it was advertising for professional dancers but not paying them despite selling tickets "at rates typical of a West End show.
"[9][10] In June 2016 the trade union BECTU criticised YMBBT for "exploiting workers after advertising for unpaid production interns."