While celebrating victory over the evil sorcerer, Leezar, who has been ravaging Tallious's kingdom, Fabious presents the virgin Belladonna whom he has freed from a tower and wishes to marry.

Though his brother makes him best man, Thadeous skips the wedding after overhearing Fabious' Knights Elite, led by Boremont, talk about him negatively.

Returning to the castle with his servant and best friend Courtney, Thadeous is given an ultimatum: join Fabious on his quest to rescue Belladonna or be banished.

Visiting the Great Wize Wizard, Thadeous and Fabious learn that Leezar's goal is to fulfill a prophecy: a warlock having sex with a virgin when the two moons converge, will impregnate her with a dragon that will allow him to take over King Tallious' kingdom.

Finding that his brother has been captured by Leezar's men, Thadeous wins Isabel over as they join forces, entering the labyrinth where they encounter a Minotaur.

The site's critical consensus reads, "Big budgets and costumes in service of scatalogical jokes may seem funny on paper, but in execution this is a highly monotonous romp that registers only occasional laughs.

"[14] Entertainment Weekly gave it a C+, with Natalie Portman favorably reviewed as "fierce and funny as a babe warrior...good with dirty words".

[15] The L.A. Times noted the "even but fun sword-and-sandals sendup...is at its best when it's at its silliest", while the lowbrow humor is "sometimes witless and sometimes winning comedy...begins with grade-school-level graffiti being scrawled across storybook pages and goes up and down from there.

[16] David Edelstein of New York magazine gave a favorable review, describing the film as "a cunning weave of low and high".

[18] Richard Corliss, who admired McBride's and Green's earlier work, said he felt a "kind of head-swiveling awe in Your Highness‘s concentration of aimless inanity, in the purity of its devotion to its own louche principles.

Like members of some post-Dadaist collective, the filmmakers have dedicated themselves to memorializing every first, wrong impulse that popped into their heads, while ruthlessly excising any vestige of wit or narrative niceties as being too linear, dude.

"[19] James Franco received a Razzie nomination for Worst Supporting Actor for the film, but lost to Al Pacino in Jack and Jill.

He attributed the film's lackluster performance to its "tricky" blend of lowbrow humor and medieval swords and sorcerers, a combination that hadn't worked well since Monty Python and the Holy Grail.