Avital develops his works in a variety of spaces, including public venues, industrial archaeological sites, theatres and museums, challenging the traditional crystallized categories that separate the arts.

His wide-ranging career includes the realization of monographic exhibitions, massive sonic works, sound and video installations of vast dimensions, collective performances involving sound masses in the creation of contemporary rituals, icon-sonic operas and artworks, complex multimedia frameworks, technological projects with the participation of scientists and usage of artificial intelligence, and compositions for soloists, choirs, orchestras and ensembles involving, sometimes, traditional masters of ancient cultures, dancers, performers and non-musicians.

[10] Yuval Avital's work spans a vast array of mediums, showcasing his commitment to merging diverse art forms into unified, immersive experiences.

His artistic vision is marked by an interdisciplinary approach that integrates sound, visual art and performance, creating multifaceted narratives that resonate across cultural and historical contexts.

In his compositions Avital often includes important carriers of non-western traditions (such as Samaritans, gong and bamboo ensembles of South-East Asia, nomads of Kazakhstan and many others), as well as vocal communities of non-musicians (coined by the artists as ‘Crowd Music’), collaborations with scientists from institutes such as NASA, ESA, INGV and with ethnographic and ethnomusicological archives.