Her paternal grandfather, Eugene Drucker, was an aeronautical engineering professor at Syracuse University who consulted on the Apollo space program.
That same year, her work was included in a group exhibition called "Girly Show: Pin-ups, Zines & the So-Called Third Wave" at the Wignall Museum of Contemporary Art at Chaffey College in Rancho Cucamonga.
In 2014, Drucker and Ernst had a show at the Whitney Museum of American Art which captured them in day-to-day relatable scenarios like celebrating anniversaries, staying in, or relaxing by the pool.
Drucker explained her choice by saying "I considered changing my name and when I realized that I didn’t want to, that I’d only be doing it to make everyone around me more comfortable, I decided that it was the epitome of a bad decision.
[22] Media scholar Nicole Morse argues that Drucker's use of double casting in Transparent brings to light transfeminine history from the 1930s to 1994.
[23] For this role, Drucker was also involved with writing, hiring, casting, producing, providing notes on script, offering feedback, and postproduction.
[23] According to the New York Times Magazine, Drucker's and Ernst's goal for Transparent is to ensure that trans people are depicted authentically on screen and that they are also working behind the scenes.
[25] In 2017, Drucker collaborated with the ACLU, Laverne Cox, Molly Crabapple, and Kim Boekbinder, for a video entitled history and "Time Marches Forward & So Do We".
[26] In 2021, Drucker directed and executive produced alongside Nick Cammilleri, The Lady and the Dale, a HBO documentary series profiling Liz Carmichael, a trans woman who had perpetuated an ambitious con involving a 3-wheeled car.
[2] In an interview with The Creative Independent Drucker mentioned, "I feel an acute sense of responsibility, of service, to the trans and gender non-conforming communities, and I think that all of us have to use our platforms to create more empathy and understanding in the world.