[2] Zamor has lived in Europe since 1974, spending long periods in Rome, Florence, Paris, Amsterdam, Zürich, Stockholm and Madrid to develop and finish his humanistic studies before creating his own artistic style.

Initially he followed an architecture course at the Pontifical Xavierian University in Bogotá, Colombia, where he learned the fundamentals of art, perspective, drawing, etc.

[6] His personal style was inspired from men and women nudes,[7] Critics also recognized his practice of a very classical technique in oil paintings.

[12] At the end of 1981, Zamor returned to Paris leaving all his works from the previous two years in the Contemporary Art Museum's depository.

After his return to France he was invited to exhibit his art works in San Juan de Puerto Rico,[24] in 1997 and again in 2000 with Carolina Herrera.

Right from the start it has been said that Zamor "... show us a world erotic as well as fantastic and terribly smooth, through meanders where human bodies express the most eclectics emotions "...[26] and across the Atlantic it was said that Zamor's approach: "... is absolutely contemporary... his artistic vision is inspired by classicals lines, and his picture are deeply anchored in the Greek culture and philosophy..."[27] Back in France one could read "...

[34] This was almost immediately confirmed in France by Sylvie Perrard : "... His work expresses the constant interplay between dream and reality ..."[35] The following review referred to his portraits : "Through his paintings, the artist Zamor interprets the soul, the inside of each person… No one knows where the picture ends and the frame begins…"[36] When Zamor was working with the Eolia Galery in Paris it put his artworks in auction sales in Drouot, Paris in April 1988.

At the same time in Colombia, the corporation "El Minuto de Dios2 from Eudists community commissioned from him a picture of "Saint Jean Eudes" for the Contemporary Arts Museum in Bogotá; the Colombian President, Belisario Betancur, asked Zamor for "The Black Christ" to be part of the Betancur Collection, in the Presidential "Nariño's House" from Colombia, along with Botero and other Colombian painters.

Historical essays by Zamor were published at the Universitas Humanísticas Revue from the Xavierian University, in Bogotá, Colombia, different studies between 1971 and 1974 : Elementos decorativos del arte Muisca en los volantes de huso (50 pages).

With the arrival of the Internet, Zamor taught himself information technology, in order to put on line the whole collection of his works.

Le Quêteur d'âmes ("The Seeker of Souls"), a philosophical and biographical essay in French (640 pages, 1999–2004 ) was the first published, followed by another philosophical essay in French entitled, L'être Sensible ou Lettres sans cible aux êtres sensibles ("The Sensitive being", "Letters without target for sensitive beings") (285 pages, 2010–2011).

Next in 2013 he published a novel which continues the subject of "The Seeker of Souls", but in a different literary style entitled À l'ombre des manguiers ("In the shadow of the mango trees") (285 pages, 2002–2005)).

In 2015, another philosophical essay was published in French (200 pages, 2014) entitled À la recherche de ma complétude ("In search of my completeness").