It consists of a series of live jams recorded at Klaus Dinger's studio near Kamperland in the Dutch province of Zeeland.

The album was produced and released quickly in comparison with its prequel Düsseldorf, which evolved over a period of two years.

[1] After the recording and release of Düsseldorf, Dinger was anxious to continue his work with Andreas Reihse and Victoria Wehrmeister, and so travelled with them to his Dutch studios.

Here they began an intensive period of "spontaneous and relatively unprepared"[2] jamming, quickly constructing songs from riffs and drones.

Critically, Zeeland was a success, with Marc Jones of "Klangzeit" magazine calling it "close and peaceful – with an added smile".