Zeitlaich

[1] Zeitlaich shows a large number of humans, animals and objects, painted in pink, red, blue and yellow colours.

[3] Julia Schmitz of Schirn Mag stressed the size and said it takes serious effort both physically and mentally to explore the painting, which gives Burgert the opportunity to depict more facets of life than ever before.

[5] Gabriele Walde of the Berliner Morgenpost likened the picture to Antonin Artaud's theories about absurd theatre: "things and figures whirl wildly in a disorderly manner, the perspectives tilt, everything is strangely skewed".

[1] Berg said Zeitlaich shows what the medium of painting can achieve and described it as a "daring attempt to depict human existence that transcends times, spaces and cultures".

[3] Schmitz said it reminds her of Hieronymus Bosch's works but it also has its own strengths, and compared it to a tableau vivant where Burgert explores his usual themes of human excess, loneliness, vanity and hatred.

[5] Andrea Bressa of Icon Magazine called it an extremely fascinating combination of landscape, drama, psychology and fantastical elements, and wrote that other, smaller paintings in the exhibition appeared to contemplate the main work.