Zeugma and syllepsis

"a taking together"[2]) are figures of speech in which a single phrase or word joins different parts of a sentence.

However, such solecisms are sometimes not errors but intentional constructions in which the rules of grammar are bent by necessity or for stylistic effect.

The type of figure is grammatically correct but creates its effect by seeming, at first hearing, to be incorrect by its exploiting multiple shades of meaning in a single word or phrase.

(The Stampeders, "Sweet City Woman") The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence.

[19] A special case of semantic syllepsis occurs when a word or phrase is used both in its figurative and literal sense at the same time.

A diazeugma whose only subject begins the sentence and controls a series of verbs is a "disjunction" (disiunctio) in the Rhetorica ad Herennium.

A mesozeugma whose common term is a verb is called "conjunction" (coniunctio) in the Roman Rhetorica ad Herennium.