Zhou Xinfang

One of his operas, Hai Rui Submits His Memorial, was regarded as an attack on Chairman Mao Zedong, for which he was persecuted during the Cultural Revolution.

Zhou, a native of Cixi, Ningbo, Zhejiang, was born on January 14, 1895, in Qingjiangpu, Jiangsu into a family with a tradition of opera performances.

He started learning Peking Opera when he was six, and made his debut in a child role in Hangzhou at the age of seven, thus acquiring the stage name "Qi Ling Tong" or "Age-Seven Boy".

He started performing major roles from the age of thirteen, and worked with notable opera singers such as Mei Lanfang and Tan Xinpei.

His famous performances include Black Dragon House (烏龍院), Xu Ce Scurries (徐策跑城), Four Scholars (四進士).

[2] In the early years after the Communist takeover in 1949, Zhou was regarded favourably for having contributed directly to the revolutionisation of traditional opera.

In 1964, Jiang Qing wanted the Shanghai Peking Opera troupe to rewrite and re-stage plays such as Taking Tiger Mountain by Strategy, plans which Zhou opposed but failed to stop.

The story would be about Hai Rui, a Ming Dynasty official noted for his integrity but was dismissed from office for criticizing the Jiajing Emperor.

Zhou Xinfang as Song Shijie in Four Scholars in 1962.
Zhou Xinfang performing in Black Dragon House in 1962.
Zhou Xinfang and Zhou Enlai after a performance of The Qing Ding Pearl in 1962
Zhou Xinfang (second from right) meeting Mao Zedong in 1956
Zhou Xinfang and film director Ying Yunwei in 1962.