[6] Issues #19-20 shipped together, and due to McCloud's honeymoon featured Chuck Austen inking the artist's pencils.

In 2000, ten years after the last print issue appeared, McCloud brought the series back in webcomic format under the title Zot!

Jenny Weaver, a normal lonely girl recently relocated to a new town, stumbles across Zot, a superhero from an alternate world who is chasing a troop of robots in pursuit of a key that will open a door hanging out in space.

Eventually their pursuit leads them to Sirius IV, a drab theocratic planet, home of the key.

While there they uncover a plot to use the key, and the subsequent door opening, as an excuse to lead a holy war against Earth.

The final culmination of the arc is a cliff hanger in which the whole ensemble leaves to go to Zot's world, though not permanently.

in which the characters from the main story were featured in absurd or surreal situations, as well as having crossovers with Feazell's work and other Eclipse books.

's run the principal theme is the contrast between Zot's utopian world and Jenny's flawed version.

Later on, teenage sexuality, bigotry, homosexuality and a sense of not belonging are all explored in a sensitive way, displaying Zot (and by association his world) as socially liberal.

It is a retro-futuristic technological utopia, reminiscent of imagery from Golden Age SF, flying cars, robots and interplanetary travel are common and nearly all of its inhabitants benefit from peace, prosperity and a marked lack of conventional social ills.

[16] Several Amazing Heroes reviewers were also highly positive about Zot!, including Andy Mangels,[17] Edd Vick,[18] T.M.