Zouglou recounts the various social realities experienced by the Ivorian youth and carries messages, sometimes humorous, sometimes political, or, more often, delivers advice on life.
Opokou N'ti, with real skills choreographic was blessed by Joe Christy to "liberate" (dance) to the city of Abobo to demand "teachers" who had invited them to fraternize.
A few weeks later comes the demonstration zouglou in non-student in the hall of Kumasi, when the Ziguehi was a reality in Côte d'Ivoire, facilitated by Alain Gaston Lago and Tahi (Commissioner Tricot).
If until that time singers like Bailly Spinto or Alpha Blondy much better known had managed to wear the colors of the Ivorian music, their songs were either inspired French folklore for some or all reggae for others.
This concept has evolved to inspire new musical genres and dances (Gnakpa, Mapouka, Youssoumba, and more recently the coupé-décalé) promoted by youth.