[2] He made contact with music as an instrumentalist of the municipal harmony of the commune[2] then was introduced to the pipe organ of the Saint Laurent church.

At the same time, he turned to contemporary music and, since the 1980s, frequented spectral composers such as Tristan Murail, Gérard Grisey and Hugues Dufourt.

[2] He wrote the first synthesis on the thought of Pierre Boulez and rediscovered the life and work of the musicographer Pyotr Suvchinsky,[2] 5 October 1892 in St-Petersburg – 24 January 1985 in Paris.

[2] As of 2017, he prepares the edition of the complete works, which he found, of the organist and composer Jean-Claude Touche (1926–1944), killed at a very young age by a German bullet at the end of the Second World War.

Christine Labroche describes Éric Humberclaude's style as "sometimes complex or poetically elliptical and of dense prose complicated by the very dense notes provided at the foot of the page, almost a work in itself", and specifies that "it is clearly aimed at a cultured public who holds certain keys in advance and who takes an intellectual pleasure in the relative esotericism but sought out purpose."