0,10 Exhibition

[3][4] The exhibition was important in inaugurating a form of non-objective art called Suprematism, introducing a daring visual vernacular composed of geometric forms of varying colour, and in signifying the end of Russia's previous leading art movement, Cubo-Futurism, hence the exhibition's full name.

The sort of geometric abstraction relating to Suprematism was distinct in the apparent kinetic motion and angular shapes of its elements.

Vladimir Tatlin was the main focus of the exhibition,[7] and the display was met with hostility that ultimately led to a succés de scandale.

Throughout that year, Kazimir Malevich was busily writing and painting about his new art movement inspired by Cubo-Futurism, Suprematism.

[7] Highlights of the exhibition were Malevich's Black Square, Tatlin's Corner Counter Reliefs, and Olga Rozanova's Metronome.