Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.

The church held another 1476 Crivelli work, the Saint Peter Martyr Altarpiece.

The altarpiece was seen by Luigi Lanzi and purchased by Francesco Saverio de Zelada in Rome in 1789, and it arrived in Florence with the Rinuccini family [it].

Art historians Federico Zeri and Rodolfo Pallucchini reintegrated the formerly separated altarpieces, referring first to the Pietà in the Metropolitan Museum and second to the Madonna in the Museum of Fine Arts of Budapest.

Art historians eventually adopted the theory that the altarpiece was actually an assemblage of panels from different sources.