[6] 5.1 dates back to 1976,[7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
The Dolby application of optical matrix encoding in 1976 (released on the film Logan's Run) did not use split surrounds, and thus was not 5.1.
A system of digital 5.1 surround sound was also used in 1987 at the Parisian cabaret the Moulin Rouge, created by French engineer Dominique Bertrand.
The same engineer had already developed a similar 3.1 system in 1973, for use at the official International Summit of Francophone States in Dakar.
[9] In music, the main goal of 5.1 surround sound is a proper localization and equability of all acoustic sources for a center-positioned audience.