[6] 5.1 dates back to 1976,[7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
The Dolby application of optical matrix encoding in 1976 (released on the film Logan's Run) did not use split surrounds, and thus was not 5.1.
A system of digital 5.1 surround sound was also used in 1987 at the Parisian cabaret the Moulin Rouge, created by French engineer Dominique Bertrand.
When digital sound was applied to 35 mm release prints, with Batman Returns in 1992, the 5.1 layout was adopted.
[9] In music, the main goal of 5.1 surround sound is a proper localization and equability of all acoustic sources for a center-positioned audience.