[10] The film, inspired by Italian neo-realism, is a poignant insight into the difference in socio-economic customs and general domestic life which divided the city of Berlin during this period.

The German Encounter with American Culture After 1945, argues that connection between bourgeois and individualism and the ethos of socialism became increasingly politicized after the Second World War.

He claims consumerist fantasies between the west and the eastern sectors of Berlin increased as the city was being masculinized as a direct result of the American influence in the capital and the legacy of Hollywood film rebels, such as James Dean.

"[12] The film, in this context, can therefore be seen as the struggle of young, working-class West German men in the city in a changing society with new pressures and influences brought about by the Americanization of the capital.

[1] These two films are regarded as the most accurate insights into the East Berlin youth scene in the aftermath of World War II and were a considerable success amongst the public.

[10] He did offer some praise of Bürger's portrayal of Uschi, remarking that "She has a sweet, attractive face and a sexy figure (accentuated by tight dresses), but being an amateur, she is only convincing as long as she plays herself.