When Nyura is accused of theft, Sergey Ivanovich intervenes to ensure justice, reinforcing Tanya’s admiration for his fairness and leadership.

Meanwhile, Tanya’s growing affection for Sergey Ivanovich leads to an emotional conversation where he gently explains that their connection is not meant to be.

In a parallel story, Sergey Ivanovich rekindles his love for Stepanida, a woman marked by personal losses and societal changes after the war.

By the film’s end, Tanya decides to stay in the village and embrace her roots, forming a deeper bond with Natalia.

The film closes with Tanya embracing her dual identity, recognizing the profound connection she has formed with her two mothers and her new life in the village.