Only three of his performances survived, recordings of the ragas Patdip, Multani, and Darbari Kanada, accompanied by Chatur Lal on tabla.
They were preserved by music producer Jivan Lal Mattoo, who secretly recorded a radio broadcast in 1947, 2 years before his death, to document Khan's style.
Instead he lived a devout, reclusive life, singing in the presence of holy men and at the tombs of Sufi saints and only occasionally sang in public.
[4][5] Ustad Abdul Wahid Khan's students included Pandit Jaichand Bhatt (Khyal Singer), Sureshbabu Mane, Hirabai Barodekar, Begum Akhtar, Saraswatibai Rane, Pran Nath, Sukhdev Prasad, Ram Narayan, and Mohammed Rafi.
[1] Ustad Abdul Wahid Khan evolved the classical Hindustani music by extending recitals of a raga from approximately 20 minutes to up to an hour.