Accidental viewpoint

[1] In its uses in art and other visual illusions, the accidental viewpoint creates the perception of depth often on a two-dimensional surface[2] with the assistance of monocular cues.

In this case, viewing an object from an accidental viewpoint can result in altered perception in relation to mental prototypes.

[9] Two dimensional art objects generally use the assumption of a single viewpoint to give the illusion of depth (monocular depth cues), Hans Holbein's The Ambassadors (1533) is no different in that sense, however, Holbein also includes an anamorphic image of a skull which has a completely different view point in order to accurately view the object.

These took advantage of the accidental viewpoint by creating a scene that appeared to be three dimensional when viewed through a single hole in the box.

A modern representation of anamorphic images that makes use of an accidental viewpoint can be found in illusionistic street art.

Street art illustrating the illusion of form-continuity from a particular viewpoint
The Ambassadors , 1533, Hans Holbein the Younger
The Ambassador's Skull: detail when viewed from the accidental viewpoint (from The Ambassadors – Hans Holbein the Younger)
View of one side of the interior, not through the intended viewpoint
Peepshow with Views of the Interior of a Dutch House – Samuel van Hoogstraten