[3][4][5] The album had a positive critical reception, with David Peschek, writing in The Quietus, positioning it "at the sharpest edge of the expression of queer experience in pop music" [6] The record caught the ear of other artists: cellist Oliver Coates covered the album's opener Hum;[7] Bjork attended a 2014 show in Reykjavík, later writing about the experience for Art in America magazine; Shabazz Palaces remixed their single Springful;[8] and the group were invited to play 2015's Meltdown festival at the Royal Festival Hall, curated by David Byrne.
Later that year, the band worked with Okay Kaya on a double A-side single, featuring a cover of the Curtis Mayfield song Keep On Pushing.
[16] In 2024, the band returned with Dusk Song, their first release in eight years,[17] followed by two more singles, Suffer One and Marquee, for an upcoming album.
The Clash's Nick Roseblade noted the albums slower pace, but praised the lyricism and subversive melodies, writing that the group remains "a powerhouse of skewed pop.
"[18] In a review for Bandcamp's "Album of the day" Ted Davis wrote "These songs swirl and jitter at random, hinting at a virtuosic collective consciousness.